Hm. Not professional-sounding enough? I'm trying to listen for what they might not have gone for. Perhaps they want more complexity-- it's difficult to convey a lot of professionalism through decently minimal tracks especially when you're starting off and under label scrutiny. I had to relisten to it a few times to get it in my head-- beautifully done, but not one-shot memorable. First tracks have to really be attention-snagging, I'd guess.
To my ears, there are one or two synths that may sound a bit amateur, but only marginally; and at the same time they do so much for the style that I don't see how you could make it any different. Plus, I've heard a couple of songs that have similar stuff, so -shrug- maybe they're looking for something really different.
Either way, good luck, and now the labels know your name, which is always a good thing. As for busy-ness, I'm going to be tied up as well save for weekends and half of my one-week break beginning March 13, so best wishes to you with your work, too. I'm still free to record at random spots of free time, though, and have been doing so.
Lamplighter
Sorry for the late reply, but I just wanted to let you know that Beautiful Feeling is awesome! The percussion sounds wonderful! The bass sounds kind of strange by itself, but there's nothing wrong with it. I'm definitely picking up that you are great with pads. Both in this original piece and your "Instrumental #4" remix, the pads have sounded very uplifting and high-flying... the piano here is very lofty and nice. Haha... I guess there's a good reason this track is called "Beautiful Feeling!"
Anyway, superb job! I'm surprised you didn't get signed, but hey, there's always next time!
Karco
Glad you liked it!
The labels generally said I wasn't professional-sounding enough so that'll be something I have to work on. Otherwise they liked the style. :)